“Crash” (1996) “Like a porno film produced by a pc… in a mistaken algorithm”…

“Crash” (1996) “Like a porno film produced by a pc… in a mistaken algorithm”…

“Crash” (1996) “Like a porno film produced by a pc… in a mistaken algorithm”…

“Crash” (1996) “Like a porno film created by a computer… in a mistaken algorithm” is just exactly how Roger Ebert memorably described David Cronenberg’s adaptation of JG Ballard’s novel about automobile crash paraphiliacs.

And then he suggested that in a great way—”crash” might be perhaps one of the most all-time perfect marriages of this visual and thematic approach of a certain manager using the philosophy and mood of their supply product. Featuring, when it comes to 3rd time on this list, that kinkster James Spader, along side Holly Hunter, Deborah Unger, Rosanna Arquette and Elias Koteas, the movie is truly remarkable, though for the cerebral sterility of their execution as, yet again, body-horror expert Cronenberg manages to activate the mind and turn the belly while bypassing one’s heart completely. It’s a really fascinating, brilliant movie, profoundly upsetting and prescient with what it implies about our relationship with technology and exactly how it could be in the act of wearing down our power to relate solely to the other person as people. Needless to say, during the time it sparked outrage and some bans (though additionally won the Unique Jury Prize in Cannes), because of its unadorned depiction for the specific fetish to be sexually stimulated by automobile crashes (and now we need to rely on specific the scene in which Spader fucks Arquette’s leg injury), and yet it’s an extraordinarily bloodless event, cool and metallic to touch; we are able to just wonder exactly just how splashily sensationalist it may have become in fingers less medical than Cronenberg’s. Leggi di più chi sono“Crash” (1996) “Like a porno film produced by a pc… in a mistaken algorithm”…